Ninja Papa: sometimes assassins can be fat like the Buddha

Humanity is in overabundance. Look at our population, it’s a statistical fact: a single human life is less special now than it’s ever been before. In addition, the information age puts us in perpetual touch with each other. It’s never been so easy to know of one another’s achievements on a global scale.

In the face of these immutable truths, feeling inadequate is a sign of sanity. A bit of shame and self-loathing may even be modern virtues.

Enter the salaryman, a Japanese stereotype of the salaried employee who works long hours at a big corporation for little money wearing uncomfortable suits and using alcohol to make it to the next day without going postal. The salaryman is an expression of ‘respectable’ human disposability, the modern equivalent of one of those woolly mammoth vacuum cleaners in The Flintstones mugging at the viewer as it utters “it’s a living!”

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But here’s the thing: everyone reads manga in Japan. Even salarymen. And they need a hero they can relate to every once in a while, too! Ninja Papa is a manga to satisfy that need. It also satisfies my appetite for the kind of manly, action-packed manga for adults that doesn’t stand a chance in hell of getting published in North America.

Ninja Papa is about Nobuo Matsuri, an ugly, out of shape, balding salaryman. He’s a schlub, a tranquil family man with a beautiful wife and children. His self-effacing demeanor hides a powerful secret: Nobuo was once a deadly ninja who abandoned his clan to reclaim an ordinary life. No one, not even his wife, knows. But every once in a while Nobuo must don his keikogi and tabi boots in order to dispatch a very violent form of social justice upon the world.

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This isn’t an unrelenting badass manga. It’s fun! There’s a lot of humor to be found in what transpires, however there’s also a straight-faced sincerity about the redeeming power of love. Nobuo Matsuri is a peaceful man protecting those he cares about, and he struggles to maintain the joy he’s able to wring out of a largely mediocre existence. I can relate more than I’d care to admit.

So there you have it: Ninja Papa, a hero for the modern world! He’s pretty spectacular.

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Volume 1 is available electronically at JManga.com. They’re currently running an October sale, so it will cost you only five bucks for the next few days. If you like it, please let JManga know so they’ll release more! Ninja Papa is seven volumes long, and I can’t begin to imagine where else the story will go.

Terrific Shonen Jump anime not even 40 episodes long: Sakigake!! Otokojuku

February 18, 1988 was a bittersweet day.

In Japan, the final episode of Fist of the North Star aired after four consistent years of rocking a style and tone rarely duplicated in children’s programming. It left one heck of a gap to fill. What would you do?

I can tell you what Fuji TV did. They hired Toei Company to animate the shit out of Sakigake!! Otokojuku.

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Sakigake!! Otokojuku is a parody of Japanese nationalism and machismo. Teenage delinquents built like brick shithouses enroll into an exaggerated old-fashioned school that extols the virtues of guts and battle prowess. As it goes along, Sakigake!! Otokojuku quickly becomes a more serious action series, which happens often with Shonen Jump properties (Kinnikuman and Dragon Ball, for example). And just as the original Sakigake!! Otokojuku manga resembles Tetsuo Hara’s style, the anime version has a lot of the staff that worked on FotNS. The results are as you’d expect: badass.

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How do I love this anime, let me count the ways. First of all, I could take testosterone supplements for the rest of my life and never come close to possessing the characters’ gravelly baritone voices. Banjou Ginga voices an American police academy student who boxes (Ginga also voiced another 80s anime blonde you might know, Souther, as well as other obscure anime characters).

The baldheaded principal of the Otokojuku school, Heihachi Edajima, is voiced by none other than the recently departed Daisuke Gouri. Gouri was another FotNS alumnus, most notably voicing Uighur, warden of the Cassandra prison complex. Edajima is one of the most iconic characters in this anime, and he’s a man of few words, responding to nearly every situation by shouting “I AM THE PRINCIPAL OF OTOKOJUKU, EDAJIMA HEIHACHI,” and nothing else.

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The action, even in the anime’s more lighthearted moments, is legit. This is the eighties, baby, so fights boil down to a straightforward exchange of blows. And even though this anime possesses nowhere near the stakes of a harder edged series like Fist of the North Star, you forget all that while you’re watching, because the combat is crude and the characters likable. You’ll catch on quickly to how every major Sakigake!! Otokojuku arc works. Despite the constant life-threatening danger that comes their way, guessing which character will kick the bucket next is a fruitless endeavor. They’re all pretty resilient.

 Terrific Shonen Jump anime not even 40 episodes long: Sakigake!! OtokojukuThere’s a reason Sakigake!! Otokojuku succeeded the FotNS anime, and there’s a reason I’m writing about it now. If you like one, you’re almost certainly going to like the other. But Sakigake!! Otokojuku is not some disposable ripoff, it’s been lauded with plenty of success in its own right. Not only did the manga run for 34 volumes (7 more than FotNS), but there was a 25 volume sequel about a new generation of delinquents at the same school, and a 10 volume prequel about Heihachi Edajima’s childhood. In 2008, Sakigake!! Otokojuku was adapted into a Japanese live action movie. Eschewing the impossibly muscular figures found in the manga and anime, it nevertheless remains true to the original spirit of the story.

I’ll keep my fingers crossed this anime gets licensed by the likes of Discotek someday, but until then I’m happy to report the entire series (and subsequent animated movie) have been fansubbed. Watch it! The manly eyebrows alone are reason enough.

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I’d love to do more coverage of great anime being released in North America, but 2011 has been disappointing in that respect. Arguably the best new anime series, season two of Kaiji, wasn’t simulcast or licensed at all. On the bright side, Fist of the North Star will be completed in November. And the new Trigun movie is out now. It’s worth watching at least once. As is the 2001 Cowboy Bebop movie, which was affordably pressed to Blu-ray in June.

Hyouge Mono: Putting “anime” and “aestheticism” in the same sentence.

I’m fascinated by cognitive dissonance. It’s one of the fundamental parts of being human, this paradoxical ability we have to contradict ourselves and not see it or be troubled by it. And it’s certainly no stranger to the realm of online discussion, which I monitor and inhabit far more than I should.

I’m over-generalizing, but jaded anime fans love to complain about how formulaic everything is and how much they’d love to see something totally off the beaten path. I’d like to call bullshit on that complaint right now. If all those people actually meant it, I wouldn’t be the only one watching Hyouge Mono.

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The hero of Hyouge Mono is an aesthete of 16th century Japan named Furuta Sasuke. He’s a dapper, oddly mustachioed character obsessed with craftsmanship and beauty, able to get excited over things like a finely baked piece of pottery, ceremonial dress, or a wooden tea scoop. His hobbies are in constant conflict with his work life, which involves answering to Oda Nobunaga, a powerful warlord well on his way to unifying Japan.

I think there’s a lot to like in the character of Furuta Sasuke. I’m a big fan of dwelling on art, though many balk at a definition of art so loose as to include what I write about on this site. I enjoy finding something I have a positive, visceral reaction to and then articulating all the components which contribute to that reaction, leading me to explore more material with those same qualities, and in turn obsessing over them. The closest I feel to achieving a deep understanding of a piece of art is when it helps me to better understand myself, a sort of mirroring process gained by really engaging with the material and staring it down. I didn’t think of myself as an aesthete before watching this show, but I certainly do now.

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Pardon the preceding sophistry, but Hyouge Mono is weirdly philosophical, filled with characters who spend equal parts acting and reflecting upon their actions. The show doesn’t seem to establish any kind of overarching atmosphere or mood, so the result is most often unsentimental, unstyled dialogue.

But it’s in those seemingly uneventful conversations that the best things happen. The edges of the narrative begin to fray and a larger, more sinister picture comes into focus. Furuta Sasuke isn’t merely a self-interested character trying to get through the day, he’s a vassal to the greatest military leader in all of Japan, affording him a role in all manner of conspiracy and backroom dealing, in ways of which he’s often blisteringly unaware. Hyouge Mono is hilarious and interesting at the same time, a rare combination in any medium, let alone anime.

In closing, if you enjoy your Sunrise regurgitations and neverending Shonen Jump anime, more power to you! I still have a place in my heart for some of those, too. I’m just advocating the people who are vocal about the state of anime be willing to spend more than a couple of minutes seeing what’s out there. Furuta and I would agree that finding the art which brings you the most happiness most often requires taking an active role in seeking it out.

Dolph Lundgren vs. Drug Dealers From Outer Space

dark angel poster 03 Dolph Lundgren vs. Drug Dealers From Outer Space

This is Dolph Lundgren’s greatest film, known as I Come In Peace in North America, but finally put to R1 DVD last month using its international title, Dark Angel.

It’s regrettable because tons of movies and television shows also use that title. If you ask the average American what Dark Angel is, they’ll probably say it was a TV show created by David Cameron in which Jessica Alba’s blowjob lips desperately wage war against a dysotopian cyberpunk future. I might be a little off on the details; I was 13 when that aired.

I Come In Peace is a 1990 science fiction action movie. Like a lot of science fiction, it articulates our ambiguous human response to the latest advances in technology and the issues therein: in this case, the life-threatening danger inherent to compact discs.

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I’m not lying! But it’s better left unexplained.

This film sees Dolph Lundgren as a laid back cop, which is unusual considering he’s best known for more stoic roles like Ivan Drago in Rocky IV. Dolph deserved a higher profile career than he got, especially when you compare him to contemporaries like Arnold Schwarzenegger and Jean-Claude Van Damme. He’s a karate champion, speaks relatively clear English, and can behave in a way which resembles acting. I’m not knocking Schwarzenegger or JCVD, I love those guys. But Lundgren got overlooked in his prime. He proves he’s leading man material in this movie.

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In I Come in Peace, Dolph Lundgren stars as a Texas cop who tracks down an alien drug dealer that’s come to earth in order to harvest the endorphins released by the brains of his human victims and synthesize them into a product he can then sell on his home planet. It’s a rather grounded science fiction story despite the presence of aliens, which I quite liked. More a buddy cop movie tinged with SF than the other way around.  All in all, it’s good classic R-rated fun, the likes of which is hard to come by nowadays.

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You may be wondering: why was the American title I Come In Peace, anyway? The pedantic answer is it’s the phrase uttered by the antagonist before murdering his victims. The honest answer is it’s a setup existing solely to make Dolph Lundgren even cooler. The trailer spoils it. I recommend watching the movie to find out.